DOJA CAT BRINGS THE “TOUR MA VIE WORLD TOUR” TO KANSAS CITY
Doja’s personality shines through a visually striking show
KANSAS CITY, Mo. – A full year has passed since the release of Doja Cat’s fifth studio album, Vie, an ‘80s disco-inspired pop cut. As she took the stage in Kansas City, I was reminded of the album's shortcomings, but in a live setting, Doja’s impressive visuals compensated for the project's more simplistic moments. Doja’s personality is evident throughout her music, but the dance breaks, costume choices, and stage presence she showcased live proved to Kansas City that we were truly in the presence of a special live performer.
Latto opened the night with a braggadocious set backed up by dancers in cheetah-print masks and tuxedos. Latto featured tracks like “Business & Personal” and “Gimmie Dat” from her spring 2026 album Big Mama. Like the album, Latto's set focused on embracing motherhood while balancing vulnerability with the swag-filled trap she’s built her career around. Latto played a deep, 16-song setlist before leaving the stage.
Thirty minutes later, the lights dimmed after a satirical performance featuring two mimes, setting the theatrical tone for the upcoming show; Doja took the stage with her band and performed “Cards.” She moved smoothly through a setlist that focused on “Vie” but also featured some of her biggest moments from earlier projects. Using the atmosphere of 1980s disco throughout the show and combining it with modern pop vocal patterns throughout the show, occasionally interrupted by brief rap interludes. This effortless ability to blend genres showcases the versatility Doja has to offer.
What stood out most was the costumes. Doja sported black and pink lingerie alongside fishnet tights, bright pink gloves, and a statement pink-and-black cheetah-print costume pannier. The costume was a mix of ‘80s, drag, and a callback to her 2019 album, Hot Pink.
The lighting was also very impressive throughout. Using patterns and different color schemes on the cubic structures on the base of the stage design made every song look and feel unique. “Agora Hills” was my favorite, featuring atmospheric neon purples and blues. Some songs featured bright pink backgrounds, while others made use of varying shades of blue waves.
The highlights of the show included “Kiss Me More” and “Take Me Dancing,” both older dance-pop records, as well as a guitar solo on “Streets” and “Wet Vagina,” which showcased Doja sliding across the stage. The show ended with “Jealous Type” and a boisterous pyrotechnics display.
Doja’s flair as a performer comes from a balance of funky humor and infectious pop tracks that keep the audience wanting more. Her Kansas City show not only displayed the heights she has reached as a performer, but also highlighted the care she and her team put into curating this tour with fabulous costumes and flawless lighting design. These aren't aspects every performer who comes through the T-Mobile Center can replicate, showing Kansas City we were watching an elite talent and a special show.
